JESUS GALVAN

My work treats the image as a site of continual transformation. Through cutting, fragmentation, and reconstruction, painting and collage become ways to dismantle fixed forms and access deeper psychic structures. The image is not representation but a field of tension, rupture, and reconfiguration.
 
Architecture appears not as buildings but as symbolic, mental structures. These fractured architectures form unstable inner spaces that reflect transition, collapse, and renewal. The cubist logic in my process is experimental rather than formal—born from the need to break the image so new relationships can surface. Destruction becomes method, a cathartic suspension of meaning that allows unforeseen forms to emerge. What remains is ambiguity, where perception shifts between order and disintegration.